Thursday 15 November 2012
Monday 12 November 2012
Thursday 8 November 2012
What our client says!!!
Dear Team pixalmate.
What I would say......... Thanks a lot!
you have done great a good job!
We appreciate your efforts!
Our Austrian MD is really happy with stall.
It has come up as expected I am really happy with your work.
Congratulations.
|
Wednesday 7 November 2012
G G final stall view,renewable energy exhibition started today....
Renewable energy stalls design and fabrication by pixalmate
Sunday 4 November 2012
pixalmate hate deadline or last time delivery and here is a sample wht we promise we delivered
What make us great is our team...one thing we are sure that we have got some of the best team, who always promise and deliver them before time here is few picture directly form site, it is only 16 hr
and our fabrication work almost finish our dead-line is today evening, we always love to see our clients smiling faces in tension free mood so they can concentrate on their business in much better way.
Saturday 3 November 2012
Renewable energy exhibition design and farbrication by pixalmate
pixalmate Team is getting ready for their 3 projects which going to build in Greater Noida renewable energy. if you are visiting that exhibition do visit our stall that is G&G, LUBI electronics and renews india,
we like to here from you how we can serve to our client a better quality of work.
Visit us @ www.pixalmate.com
Wednesday 24 October 2012
Thursday 20 September 2012
Few tips for a great booth design
A good exhibition design works not only looks pleasing, more important to a good combination of customer needs, how to achieve the organic combination of the two, following some basic design principles can be used as a reference:
1) simple. Booth too complex may make visitors from becoming confused, not understanding the basic information of the exhibitors, making it difficult to let the audience interested in the exhibitors, while complex booth will also increase the booth staff strength, lower booth personnel work efficiency.
Display products not just piling up on their own products, there must be selectively placed, the main product is placed in the audience most likely to see secondary products according to the type can in turn be placed around the main products, if the booth limited, some minor products can choose not to show too much piled products is not clear, it is difficult to achieve the effect of publicity will make primary and secondary.
Display products not just piling up on their own products, there must be selectively placed, the main product is placed in the audience most likely to see secondary products according to the type can in turn be placed around the main products, if the booth limited, some minor products can choose not to show too much piled products is not clear, it is difficult to achieve the effect of publicity will make primary and secondary.
2) prominent focus. New products or the most important product must be placed in the most prominent place, can better combination of location, layout, lighting and other means can achieve better results.
3) the theme should be clear. Theme to a good combination of product information, color, function, allowing viewers to quickly understand the nature of the product exhibitors, booth too gorgeous and the combination of the product is not close, it is difficult to achieve the desired effect of publicity.
4) unique design style. The overly popular design hard to attract the attention of the audience, but too fanciful even make viewers know what to do.
5) as the starting point to the audience's preferences. The exhibition is successful, and whether it can achieve the effect of publicity, these are inseparable, with the audience if you design as a starting point to the audience's preferences, you may communicate with an audience, and thus greater interest Exhibits.
6) a reasonable arrangement space. The number of booth staff and the expected number of visitors is important reference If you can not reasonably arrange space will make crowded booth explicit, it may be empty booth design space, these conditions can make the audience lose interest.
7) Do not change the design has passed. The design of the program must be comprehensive, consider the variety of possible responses to the situation, once the program through, not easy to change, in order to avoid the extension of the duration, cost increases.
8) a clear customer budget. If the client's budget is clear, the designer needs to design a reasonable allocation of budget to avoid unacceptable customers; client's budget is not clear, the designer should always communicate with customers, in order to maximize a clear budget.
Wednesday 5 September 2012
Tuesday 4 September 2012
Thursday 23 August 2012
It's SHOW TIME
Solor-con Design for lubi electronics
WE are all ready for the solor-con bangalore ,here is our design which is going to execute
Sunday 19 August 2012
pixalmate-poultry-india-2012,-hydrabad
 |
| Poultry india 2012 emailer |
WEBSITE - www.pixalmate.com Email- info@pixalmate.com
E-mailer-pixalmate-poultry-india-2012,-hydrabad, exhibition design and fabrication unit
natural remedies stall design elanco stall design for poultry India 2012.
info@pixalmate.com
call-7676699044
Thursday 16 August 2012
pixalmate's photostream
pixalmate's photostream on Flickr.
Mall promotion, mall activity in Bangalore , retails solutions, Events in bangalore,Store Designs pixalmate going for acmee 2012 in june we are a fabricater and world class stall design company based in bangalore . stall designer in low budget Pixalmate for exhibtion in india and bangalore and event in bangalore Auto expo delhi, bangalore,stona bangalore. call for exhibition- 7676699044
Trans-tec design for electronica 2012
Mall promotion, mall activity in Bangalore , retails solutions, Events in bangalore,Store Designs pixalmate going for acmee 2012 in june we are a fabricater and world class stall design company based in bangalore . stall designer in low budget Pixalmate for exhibtion in india and bangalore and event in bangalore Auto expo delhi, bangalore,stona bangalore. call for exhibition- 7676699044
Sunday 20 May 2012
Sunday 13 May 2012
HAVE SOME EXHIBITION TIPS
Tips on exhibition layout and design
The ARTWORK is most important. We want the artwork to look good and we want the
viewing public to experience it in a meaningful way.
Simple is often best!
So, to create a successful exhibition we need to consider a number of factors:
1. LOGIC
A good exhibition design seems obvious and we understand that there is a reason for
the placement or groupings of the artwork. Some examples of logical exhibition layouts
are:
Chronological –artwork displayed according to WHEN it was made. (Usually in
retrospective exhibitions)
Like With Like – artworks are placed together because they share things in common
e.g.
• Medium - photos with photos, prints with prints etc
• Treatment - expressive, gestural paintings might go together
• Scale – artwork of similar size could be placed together
• Colour – monochromatic art works could possibly go together
• Genre – landscapes with landscapes etc
• Theme – artworks share ideas or style e.g. pacific art, pop art, kiwiana etc
When you think you have an idea how to group the artworks you then need to consider
the space you have to work with…
2. USE OF THE SPACE
Where are the best spaces?
Are there dark areas or dead zones where people won’t go?
Do some walls seem better suited than others to the display of certain artworks? E.g.
Small wall spaces work well with small-scale artwork and large walls cope with large
artworks or a series of work.
3. LIGHTING
What are your lighting sources? E.g. Natural daylight, spotlights, fluorescent tubes,
reflected ambient light
What is the quality of the light? Warm or Cool?
Can you direct it or modify it?
Is it adequate or do you need more light?
4. FLOW
Where is the entry point? (Stairs, elevator). People usually (although not always) move
in a clockwise direction from the point of entry. You will most likely place exhibition
information such as title, artist name and explanatory text near the entrance for people
to read first as they arrive.
What is the first wall they see as they enter the room? This is a feature wall and you
want to put strong work here.
It makes sense to display a sequence of images from left to right
5. LAYOUT
Place the artwork on the floor in front of the wall where they are to hang. This helps you
to visualise how the exhibition will look.
Move things around; try out different groupings and positions.
You may need to edit (take away) works if there is too much and it looks ‘busy’.
If the number of artworks is overwhelming you can try to place them into sets or
clusters. Your eye reads this set of individual artworks as ONE group.
So… 12 paintings in a row looks like more artwork than 3 grids made up of 4 paintings
in each.
6. PLACEMENT
Think of your audience. Artwork needs to be displayed at a consistent and comfortable
height
Adults eye level = 150 cm
Children’s eye level = 120 cm (approx.)
You should hang work so that the middle is at eye level.
Sculptures may need to stand on plinths or platforms to raise them off the ground so
that they can be seen at a comfortable height.
7. SPACE
Try to keep the space between artworks consistent. If some artworks are placed close
together people will think that they are a pair. This may be the case and spacing gives
the viewer a clue as to how to read the artwork.
To measure spaces accurately:
1. Measure the wall
2. Add up the total of width measurements of the artwork
3. Subtract the total art measurement from the wall measurement. What
you have left is your space measurement.
4. Divide the space measurement by the number of spaces you require
(always one more space than the number of artworks)
N.b. To make it EASY: consider groups or grids of artworks as ONE artwork.
The ARTWORK is most important. We want the artwork to look good and we want the
viewing public to experience it in a meaningful way.
Simple is often best!
So, to create a successful exhibition we need to consider a number of factors:
1. LOGIC
A good exhibition design seems obvious and we understand that there is a reason for
the placement or groupings of the artwork. Some examples of logical exhibition layouts
are:
Chronological –artwork displayed according to WHEN it was made. (Usually in
retrospective exhibitions)
Like With Like – artworks are placed together because they share things in common
e.g.
• Medium - photos with photos, prints with prints etc
• Treatment - expressive, gestural paintings might go together
• Scale – artwork of similar size could be placed together
• Colour – monochromatic art works could possibly go together
• Genre – landscapes with landscapes etc
• Theme – artworks share ideas or style e.g. pacific art, pop art, kiwiana etc
When you think you have an idea how to group the artworks you then need to consider
the space you have to work with…
2. USE OF THE SPACE
Where are the best spaces?
Are there dark areas or dead zones where people won’t go?
Do some walls seem better suited than others to the display of certain artworks? E.g.
Small wall spaces work well with small-scale artwork and large walls cope with large
artworks or a series of work.
3. LIGHTING
What are your lighting sources? E.g. Natural daylight, spotlights, fluorescent tubes,
reflected ambient light
What is the quality of the light? Warm or Cool?
Can you direct it or modify it?
Is it adequate or do you need more light?
4. FLOW
Where is the entry point? (Stairs, elevator). People usually (although not always) move
in a clockwise direction from the point of entry. You will most likely place exhibition
information such as title, artist name and explanatory text near the entrance for people
to read first as they arrive.
What is the first wall they see as they enter the room? This is a feature wall and you
want to put strong work here.
It makes sense to display a sequence of images from left to right
5. LAYOUT
Place the artwork on the floor in front of the wall where they are to hang. This helps you
to visualise how the exhibition will look.
Move things around; try out different groupings and positions.
You may need to edit (take away) works if there is too much and it looks ‘busy’.
If the number of artworks is overwhelming you can try to place them into sets or
clusters. Your eye reads this set of individual artworks as ONE group.
So… 12 paintings in a row looks like more artwork than 3 grids made up of 4 paintings
in each.
6. PLACEMENT
Think of your audience. Artwork needs to be displayed at a consistent and comfortable
height
Adults eye level = 150 cm
Children’s eye level = 120 cm (approx.)
You should hang work so that the middle is at eye level.
Sculptures may need to stand on plinths or platforms to raise them off the ground so
that they can be seen at a comfortable height.
7. SPACE
Try to keep the space between artworks consistent. If some artworks are placed close
together people will think that they are a pair. This may be the case and spacing gives
the viewer a clue as to how to read the artwork.
To measure spaces accurately:
1. Measure the wall
2. Add up the total of width measurements of the artwork
3. Subtract the total art measurement from the wall measurement. What
you have left is your space measurement.
4. Divide the space measurement by the number of spaces you require
(always one more space than the number of artworks)
N.b. To make it EASY: consider groups or grids of artworks as ONE artwork.
Saturday 5 May 2012
Wednesday 18 April 2012
piaxalmate design a stall for pacific stones
stall design for stona exhibitions 2012 banglore
Mall promotion, mall activity in Bangalore , retails solutions, Events in bangalore,Store Designs pixalmate going for acmee 2012 in june we are a fabricater and world class stall design company based in bangalore . stall designer in low budget Pixalmate for exhibtion in india and bangalore and event in bangalore Auto expo delhi, bangalore,stona bangalore. call for exhibition- 7676699044
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